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  • Why ‘Ang Linangan’ is more than a translation
    March 29, 2026

    Why ‘Ang Linangan’ is more than a translation

    Vlad Bunoan
  • ‘A Chorus Line’ finds heart, precision, and purpose on PH stage
    March 26, 2026

    ‘A Chorus Line’ finds heart, precision, and purpose on PH stage

    Vlad Bunoan
  • ‘Mabining Mandirigma’ resonates anew in a divided time
    March 26, 2026

    ‘Mabining Mandirigma’ resonates anew in a divided time

    Vlad Bunoan
  • In ‘anthropology’, grief meets algorithm
    March 25, 2026

    In ‘anthropology’, grief meets algorithm

    Vlad Bunoan
  • Gritty ‘Spring Awakening’ finds power in restraint
    March 25, 2026

    Gritty ‘Spring Awakening’ finds power in restraint

    Vlad Bunoan
  • ‘About Us But Not About Us’ thrives in discomfort
    March 25, 2026

    ‘About Us But Not About Us’ thrives in discomfort

    Vlad Bunoan
  • Three plays, one long day: From PETA’s youthful pulse to Ateneo’s ‘Sisa’
    March 18, 2026

    Three plays, one long day: From PETA’s youthful pulse to Ateneo’s ‘Sisa’

    Vlad Bunoan
  • The best ‘Les Mis’ you’ll ever see
    February 10, 2026

    The best ‘Les Mis’ you’ll ever see

    Vlad Bunoan
  • What ‘Bagets’ reminds us about being young in the ’80s
    February 10, 2026

    What ‘Bagets’ reminds us about being young in the ’80s

    Vlad Bunoan
  • Why CAST PH’s staged readings still matter in 2026
    February 10, 2026

    Why CAST PH’s staged readings still matter in 2026

    Vlad Bunoan
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EAT + PLAY is the personal portfolio and writing space of Vlad Bunoan. Through essays, reviews, and personal reflections, the site covers food, theater, and pop culture, sharing honest takes on the stories and moments that stay with us.

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